Born in Joplin, Missouri, James Langston Hughes was born
into an abolitionist family. He was the grandson of grandson of Charles
Henry Langston, the brother of John Mercer Langston, who was the the
first Black American to be elected to public office in 1855. Hughes
attended Central High School in Cleveland, Ohio, but began writing
poetry in the eighth grade, and was selected as Class Poet. His father
didn't think he would be able to make a living as at writing, and
encouraged him to pursue a more practical career. His father paid his
tuition to Columbia University on the grounds he study engineering.
After a short time, Langston dropped out of the program with a B+
average, all the while he continued writing poetry. His first published
poem was also one of his most famous, "The Negro Speaks of Rivers", and
it appeared in Brownie's Book. Later, his poems, short plays, essays,
and short stories appeared in the NAACP publication Crisis Magazine and
in Opportunity Magazine and other publications.
One of Hughes' finest essays appeared in the Nation in 1926, entitled
"The Negro Artist and the Racial Mountain". It spoke of Black writers
and poets, "who would surrender racial pride in the name of a false
integration", where a talented Black writer would prefer to be
considered a poet, not a Black poet, which to Hughes meant he
subconsciously wanted to write like a white poet. Hughes argued,
"no great poet has ever been afraid of being himself'. He wrote in this
essay, "We younger Negro artists now intend to express our individual
dark-skinned selves without fear or shame. If white people are pleased
we are glad. If they aren't, it doesn't matter. We know we are
beautiful. And ugly too... If colored people are pleased we are glad.
If they are not, their displeasure doesn't matter either. We build our
temples for tomorrow, as strong as we know how and we stand on the top
of the mountain, free within ourselves."
In 1923, Hughes traveled abroad on a freighter to the Senegal, Nigeria,
the Cameroons, Belgium Congo, Angola, and Guinea in Africa, and later
to Italy and France, Russia and Spain. One of his favorite pastimes
whether abroad or in Washington, D.C. or Harlem, New York was sitting
in the clubs listening to blues, jazz and writing poetry. Through these
experiences a new rhythm emerged in his writing, and a series of poems
such as "The Weary Blues" were penned. He returned to Harlem, in 1924,
the period known as the Harlem Renaissance. During this period, his
work was frequently published and his writing flourished. In 1925 he
moved to Washington, D.C., still spending more time in blues and jazz
clubs. He said, "I tried to write poems like the songs they sang on
Seventh Street...(these songs) had the pulse beat of the people who
keep on going." At this same time, Hughes accepted a job with Dr.
Carter G. Woodson, editor of the Journal of Negro Life and History and
founder of Black History Week in 1926. He returned to his beloved
Harlem later that year.
Langston Hughes received a scholarship to Lincoln University, in
Pennsylvania, where he received his B.A. degree in 1929. In 1943,
he was awarded an honorary Litt.D by his alma mater; a Guggenheim
Fellowship in 1935 and a Rosenwald Fellowship in 1940. Based on a
conversation with a man he knew in a Harlem bar, he created a character
know as My Simple Minded Friend in a series of essays in the form of a
dialogue. In 1950, he named this lovable character Jess B. Simple, and
authored a series of books on him.
Langston Hughes was a prolific writer. In the forty-odd years between
his first book in 1926 and his death in 1967, he devoted his life to
writing and lecturing. He wrote sixteen books of poems, two novels,
three collections of short stories, four volumes of "editorial" and
"documentary" fiction, twenty plays, children's poetry, musicals and
operas, three autobiographies, a dozen radio and television scripts
and dozens of magazine articles. In addition, he edited seven
anthologies.
Langston Hughes died of cancer on May 22, 1967. His residence at 20
East 127th Street in Harlem, New York has been given landmark status
by the New York City Preservation Commission. His block of East 127th
Street was renamed "Langston Hughes Place" .
THE NEGRO SPEAKS OF RIVER
I've known rivers:
I've known rivers ancient as the world and older than the
flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy
bosom turn all golden in the sunset.
I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
HUGHES WORKS
Not Without Laughter (1930)
The Big Sea (1940)
"I Wonder As I Wander" (1956)
HUGHES POETRY
The Weary Blues (1926)
The Negro Mother and other Dramatic Recitations (1931)
The Dream Keeper (1932)
Shakespeare In Harlem (1942)
Fields of Wonder (1947)
One Way Ticket (1947)
The First Book of Jazz (1955)
Tambourines To Glory (1958)
Selected Poems (1959)
The Best of Simple (1961)
HUGHES EDITOR
An African Treasury (1960)
Poems from Black Africa (1963)
New Negro Poets: USA (1964)
The Best Short Stories by Negro Writers (1967)
HUGHES POSTHUMOUSLY
Five Plays By Langston Hughes (1968)
The Panther and The Lash: Poems of Our Times (1969)
Good Morning Revolution: Uncollected Writings of Social Protest (1973)
The Sweet Flypaper of Life with Roy DeCarava (1984)